Ajmal Kasab case - Is this really a win for our judicial system?

This week, Ajmal Kasab’s verdict was announced and he was sentenced to death.
The news was on all National Dailies and media for 1 day and then slowly faded away for other news like Godhra Verdict (after 9 years), World cup cricket (Biggies winning over minnows) and others.

The news was also coupled with lot of smart people providing their comments and analysis. Some were praising the Indian democracy and how he was given a proper court hearing which can happen only in India. There were others who appreciated the speed of Indian judicial system in reaching the verdict so fast (in just 24 months). While others just spoke about how Indian legal system has all the right ingredients in place to ensure that the criminals are punished. One of the politician even went ahead and said while we have completed the process, Pakistan has not even started the case (Read he was referring to Pakistan trying the perpetrators of this heinous act within their own country against those people whom India has suggested were involved in it).

All these praises were for a case of a lone terrorist who survived out of the 10 who mercilessly killed scores of Indians. This guy was caught red handed, was witnessed by numerous people, was caught on CCTV and media cameras while committing the act. He initially even accepted his guilt (only to be retracted later). Everyone in the country including the judge, lawyers, general public and Indian politicos were aware of the case, the accused and I can bet everyone were also sure of the verdict in advance. Still in order to prove that we have the world’s best democracy and may be the world’s best legal system now (???), we went ahead with this long court drama with multiple charges levelled against him (including Ajmal travelling without ticket in a local train), numerous witnesses being paraded in court, many defense lawyers being replaced (after some of them were bashed up by local “Senas”) and providing a ‘Z’ level security to Kasab (So that he doesn’t die before him being pronounced guilty).

All in all, we spent Rs 45 Crore so far (and still counting) and this is over and above the crores that this guy anyways inflicted upon the Indian infrastructure by bombs and bullets. This guy can still appeal in Supreme court and file for mercy petition. There are also very high chances that he might never be hanged (as is the case with previous death sentences) and we continue to bear his expenses.

So should we believe all of this and feel proud about our democracy and judicial system? Was it really important to conduct this entire farce?

Food for thought: What if like the Jessica Lal case (the witnesses would have changed their statements and turned hostile) and there was no proof to convict him, would he have walked out scot-free? What would have we done then?

Yeh Saali Zindagi - 100% raw

When a director like Sudhir Mishra teams up with someone like Prakash Jha, you can be assured the movie will be good, but if the final product exceeds your already high expectations, you know it that the movie was definitely worth much more than the ticket price.

“Yeh Saali Zindagi” is edgy and 100% raw. For those who have loved Quentin Tarantino cinema, Yeh Saali Zindagi has all its traits and characteristics albeit with a Desi Stamp and feel.

There is no point describing the story because the movie has many plots, many turns and many many twists. Each character has its main story and a side story which is dark.

The highlight of the movie is by no doubt its crudeness which gets reflected in its sharp dialogues. The dialogues are rough, witty, coarse, and may be even offensive to many. The direction is superb with the voiceover providing strength to the many storylines. And acting... well the movie has Irrfan Khan, Saurabh Shukla, Sushant Singh, Yashpal Sharma, Chitrangada so no doubt it cant go wrong here as well. Irrfan Khan is brilliant to say the least. In fact he is so good that sometimes he overshadows the other actors in the movie who otherwise have acted brilliantly on their own as well. Chitrangada Singh is sensuous. Arunodya Singh (last seen in Mirchi) has also tried hard to compete with the other stalwarts. In fact his numerous smooches with the newcomer Aditi Rao can give competition to our Emraan Hashmi.

The movie has been shot in Delhi. Recently, “Dilli” has taken centre stage in many Bollywood ventures and this one also tries to have the same “Dilliness” in it. The plot can happen anywhere but “Dilli” feel lends its own charm.

The title song is superb and I am still humming it while writing this review.

I could have easily rated this movie as top stars but for the length of the movie. Such movies should be short so that their crispiness can be maintained. I think that’s where Sudhir might have erred a bit. In order to make it more twisting and turning, he indulged himself further.

Just one last point: The movie has been rated as “A” so respect the decision of Censor Boards and keep your kids at home. There is not a single scene in the movie where you will not cringe if your kids are somewhere nearby.

Dil to Bachcha Hai Ji... Remains a bit ‘kachcha’ in the making

“Dil to Bachcha hai Ji” is Madhur Bhandarkar’s first foray in commercial cinema. Madhur who before has handled only serious “real” subjects (best known for films like Fashion, Corporate, Page 3) tries his hand in something different and attempts a light comedy for the first time.

The movie has its soul ...in fact it has all the ingredients required to make a movie work be it comedy, emotions, love, sex, music, beautiful locations, good looking actors but somehow it still fails to grip the audience.

Its a story of 3 guys in different phases of life and their brush with love. Each story has an independent track and individually each one is good. Ajay is going through marriage turmoil and finds solace in the vivacious Shahzahn. Omi is the ideal Marathi mulga unlikely to impress any girl yet falls for modern Shraddha Das playing a Radio VJ. Emran, the ever flirt playboy (As he calls himself ATM – “Any Time Mohabbat”) has a different girl every night and then falls for Shruti, the social cause girl. While the first two have a decent storyline, Emran’s story has many loopholes but we can pardon the makers for that (for which Hindi movies doesn’t has gaps?)

In terms of acting, it’s once again Ajay Devgn who steals the show with his somewhat matured professional shy in love look. This actor is on a roll with so many hits last year. Omi Vaidya (last seen as the delicious Chatur Ramalingam and his hall of fame “balatkar” speech in 3 Idiots) also does his job struggling with his Hindi as well as his love. Well for Emran Hashmi (how many times have we seen him in something similar ...seems like he has got typecast as the evergreen playboy..at least he doesn’t get to smooch anyone in this movie).

The 4 girls (Shahzahn Padamsee, Shraddha Das, Shruti Hasan and Tisca Chopra) are very beautiful and natural in their roles especially Shahzahn playing a teenage girl just starting her internship. Its a pity the beautiful and talented Shruti gets the least screen space with just a song to her credit.

Talking of songs, the movie has a lovely soundtrack with the 2 top songs hummable especially “Abhi kuchh Dinon se” which also continues as the background score.

Seems like everything is good so far...where does the movie fails? Well you will be surprised if I say direction considering its Madhur Bhandarkar’s department and he is quite good in it. But may be this being a different domain, he struggles. The direction and editing doesn’t have that sharpness required to ensure the jokes keep coming at the right moments. There are times when the movie is dragging. The duration seems really long. The movie could have been shorter, may be better edited and some more wits puffed in.

So as I started, the movie is a light comedy and has many moments that will tickle you. Its far better than some of the boisterous and loud movies served to us as comedies these days (no prizes for guessing which ones I am referring to ... you had many in 2010 including the one released late last year).

Justice for Jessica?

We Indians have a very short memory. I am too tempted to say short term memory loss. We are in the habit of forgetting most of the news that don’t concern us howsoever traumatic or disgusting it might be whether its the numerous scams knocking the top headlines of our newspapers and media channels every day or the hideous rapes and murders that now have become part and parlance of Delhi power politics. And precisely for this reason, we need more movies like “No one killed Jessica”.

‘No one killed Jessica’ is a story on the (in)famous Jessica Lal murder case that stormed our news channels for several years. She was shot dead just because she refused to serve a glass of drink after the pub closed. The murderer 'Manu' was acquitted and only after tremendous media and people pressure, the case was reopened and he was given a life-term sentence. (By the way, the story is still not fully over as the accused was out on bail some months back only to be put behind bars again when he was seeing enjoying himself in a pub and the media created a storm)

The movie per se is not very well directed with the first half excruciatingly slow and a bit confused as well. We are not sure what the director is more concerned about: Is it the status of hi-class societies, the rise of India post Pokhran, Kargil war or just the over-pitched performance of Rani. But the second half picks up and to some extent compensates for the first half. The direction is modestly above average and at some places the movie actually fails to arouse the sentiments of people. This is one movie that should have boiled our bloods but many places people are left laughing at the fillers (like the accused's mother repeating the same dialogue... mere monu ko kuchh nahin hona chahiye). The acting was also not that great with Vidya under acting and Rani over acting. The music is good with the track "dilli" matching the sentiments of the movie.

The place where movie scores is its underlying premise. Its a story worth telling less we forget the injustices meted out to people affected by this case. The long unbearable court proceedings. Imagine a court case that lasts 7 years and still “justice is denied” inspite of 300 witnesses including politicians, police people and social activists. Her own boyfriend who turns hostile midway into the case.

Its a story that should remind us that there are many more such “Jessicas”, “Mattoos”, “Ruchikas”, “Nainas” who have all gone through the same fate where power, politics, law and corruption are all above common man’s plight and his (in most cases 'her') fight for justice. It should once again question the insane and now obsolete laws written during 1800s at the time when "India" didn’t even exist.

As I said, the movie itself might not be very well made but still every Indian should watch the same.

Mirch – an assorted mix of 4 erotic tales

In the last few years, there is a growing trend within Bollywood to try out something different. These so-called experiments while were critically acclaimed have been usually a disappointment at the box office. There has been Road,movie, The great Indian Butterfly, Pankh, No Smoking etc. Though there have been notable exceptions of the likes of Peepli Live, LSD, Dev.D. What has worked with these exceptions is the heady cocktail of art and commercial cinema. The scripts have been brilliant supported by very sharp editing and direction. Needless to say the actors performed very well. Not sure of the box office success, but Mirch can be safely put in this second category.

Its an eclectic mix of 4 stories, totally unrelated but with a common theme of sex or if I must enhance the underlying theme is the empowerment of female sexuality. All the stories have the female lead committing adultery and very successfully and wittily coming out of it without the husband even realizing what hit him. The first two are set in the medieval period and the last two post interval set in modern times.

There is no connection between the stories though at some point, the director tries to bring in the narration in the form of 5th story to connect pieces together which according to me doesn’t work.
What makes “Mirch” work is obviously the “mirch” in the stories... They are exotic, they are spicy, they are raw and they are sensuous. But at no point they are obscene. There is nothing cheap or vulgar in it. In fact the way each story ends makes the movie an erotic comedy. I don’t recollect any other Bollywood movie attempting comedy in such a way (may be Dil Kabaddi but that failed to connect). There have been unrelated stories earlier like Darna Mana Hai, Dus Kahaniyan or more recently and comparable LSD but this is certainly above them. It actually tickles you.

To keep pace with this “mirch”, the lead female characters had to be equally spicy and who better than Konkona and Raima Sen to play the characters. They both are so exotic and moulded in their characters that they overshadow all others. Only Ila Arun, Boman Irani and Rajpal Yadav could compete with them in some way. Boman anyways can play all Indian nationalities with equal ease whether it was a Sardar in Munna Bhai or a typical Gujarati in this.

The other characters like Arunodoy Singh (common factor in first 3 stories and the narration), Sushant Singh, Shahana Goswamy and Shreyas Talpade are not much of a match for Konkona and Raima.

At the end, this is a typical urban multiplex or a home video movie. The box office figures should not be considered while judging the performance of such a movie. It’s an experiment and must be appreciated for the different genre it is creating in Indian cinema.

Band Baaja Baraat – Low on Budget; High on Entertainment

To make the title short B3 is a typical “Dilli” film be it its locales, dialogues, styling, roughness or should I say crudeness sometimes. The debutant director Maneesh Sharma has captured the inherent flavour of Delhi really well and that’s what keeps the movie going from the very first scene.

Its the story of Bittu Sharma and Shruti Kakkar – contrast personalities who come together to start their own business – the business of wedding planning which if I may quote the lead actor in the movie is “inflation” and “reception” proof (Recession but said in Haryanvi). The movie revolves around their growth in business as well as in their closeness. To develop a story, obviously they develop cracks in their relationships but all is well in the end.

The strong point of the movie is its spontaneity. The dialogues are sharp and the actors even sharper. Anushka matures with this movie as she is supposed to be the known face but the new comer Rannveer has also acted quite well. Rannveer is not going to be the typical hero material but might be able to carve a niche for himself considering the confidence he displays in his very first movie (not sure if he is the son / nephew / friend etc of anyone in the industry to have deserved such a good break).

The direction and the editing is slick. The movie seems to be made on a very small budget as there are no known actors not even side-kicks, no foreign locations to shoot for and no jazzy sets unless you discount some of the wedding arrangements which are quite “sho-sha” keeping pace with “Dilliness”.

The first half is better than the second half as it builds up the story. The second half does get a bit emotional and typical Bollywoodish but the overall package still works out fine. The music might not be great if you go with Yashraj expectations but couple of songs like Tarqueebein and Ainvayee Ainvayee will be on the charts for some weeks to go.

Overall its a lively movie and after a very long time, a decent movie from the Yash Raj studios.

CommonWealth Games ... Let it be a failure

CommonWealth Games – One of the most dreaded words in India these days… There is hardly a day when the front page of the newspapers are not screaming some new corruption sprouting up. By the way the scam figures has more number of zeros than an average Indian can count (What was it last… 36000 Crores.. phew can we even imagine this much wealth)

Don’t worry… My intention is not to write one more article comparing the cost of tissue papers, LCD TVs or treadmills. I think by this time, everyone knows how costly these things can be… I am more concerned by some of the recent statements / appeals in our national dailies by the likes of Sheila Dixit, Manmohan Singh or even Subroto Roy of Sahara Group. In this emotional appeal, all these esteemed individuals first acknowledge that there has been some amount of misappropriation of funds (“Some … should we replace some’s definition in dictionaries now”) and then appeals to our national sentiments not to wash dirty linen in public. Their point is that this continuous negative publicity of the games is embarrassing the nation and projects a wrong image of the nation. Wow…so finally we realize this… but where was this realization or embarrassment when crores and crores of money was carefully siphoned off.

They further add: We should carefully keep our mouth shut till the games get over and then all these scams will be probed and guilty parties will be brought to books. Till then all these guilty individuals can continue to do their tasks of ensuring a successful games (well we all know what further they can do in the meantime?).

Doesn’t this happen always? This national sentiment card works everytime… doesn’t it? So let me tell you what will happen? The games will get over (Hopefully by some God’s miracle they might even be a success). After that the same politicians and the Kalmadi parties will boast of the success and toast to the nation. We Indians will bask at the glory and these same individuals will become a national hero. Some might even get some national awards (Khel Ratna, Rajiv ratna, Bharat ratna which would be on top of the enough 'ratnas' they anyways accumulated on the run upto it). No questions asked…. No answers expected… the media will move onto the next corruption / scam… game over… Didn’t Peepli Live projected this in the best satire possible?

I strongly feel for once… let the Games be a flop… a Huge FLOP let it be a big embarrassment for the nation… may be then the real justice might happen… may be then some heads will be chopped off… may be next time when such a thing is attempted, people will question the initial budgets forecasted and the process of expensing them… may be then a proper committee will be formed with people who understand what it means…

Let it be a failure once and only then we might learn from it.