Atithi...tum kab Jaoge?... Its different

This time, I got a chance to read other reviews before I wrote this blog… Interestingly, not many critics have liked the movie…
I believe in today’s times, its difficult to digest a movie which doesn’t have any crude language, no abusive words, no remix nos, no foreign locales or jazzy colorful sets, where the script doesn’t demand any item numbers or kissing scenes, where the actress doesn’t walk in exposing clothes or a bikini line just for the heck of it, where the humor is not forced into the dialogues by including some bad PJs or sick jokes or getting some third party "so-called" comedians into the movie.

Yes, "Atithi tum kab jaoge" is a movie which doesn’t have any of these. The movie is therefore, a bit dull, a bit boring, and also feels a bit lengthy. But still, in my opinion, the makers deserve credit for creating a cinema which was last attempted in 80s (or was it even earlier) when the likes of Farooq Sheikh, Amol Palekar, Deepti Naval, Utpal Dutt and so on existed.

Ok, to once again correct myself, the movie is no where compared to those masterpieces, be it the subtleties, the acting or the humor but still this movie is a worthy attempt that should not go unnoticed.

The movie is as simple as it can be… A couple (Ajay Devgn and Konkona) is living a fast difficult life in the ever congested (and I am not just talking of roads and traffic) Mumbai. An unsolicited guest (Paresh Rawal) arrives and disrupts their normal routine. He leaves behind a tale of chaos, confusion, and disruption, but also a bit of love, emotions, long-forgotten family values and traditions.

This simple story has somehow been extended into a 2+ hrs drama (with no twists and turns unless of course you consider the end which is definitely worth staying till then) and thats where the film fails to capture the attention of today's multiplex audiences.

The acting is good with 3 established actors. There is never a doubt on any of them. One special point to mention here is Ajay Devgn who has started keeping himself underexposed. He has learnt the art of restraining his act by giving more space to other characters in the movie. I noticed this first in his home production “All the best” where he allows Sanjay Dutt to steal the show. In this movie, he lets Paresh Rawal run the movie and aptly so.

There is not much to write about the music as there are hardly any songs.
Overall, the movie can be watched with your extended family for one of the lazy Sunday outings.