The Dirty Picture – More Dirty than Picture

Since the time the first trailer of TDP went live, there has been an enormous amount of curiosity surrounding this movie. Milan Luthria’s next venture after the very successful and brilliant movie “Once upon a Time in Mumbai” coupled with Vidya Balan’s probably first time bold and sexy avatar was something that I was definitely looking forward to.

As there were so much expectations riding on the movie, the movie disappoints in many ways.

The Dirty Picture probably focuses more on shocking the audience with its bold images and double meaning sentences than the story itself. The story is confusing and convoluted many times. It revolves around a young plain village girl (played by Vidya Balan) who runs to Madras city to become a heroine. She is ready to do “anything” to grab a role. One accidental role and she transforms into SILK (very clearly laid out on SILK Smitha’s character from South India film industry).

There are three male protagonists in the movie. Naseeruddin Shah is playing a typical South Indian actor who can shoot Rs 100 note and break into 100 coins of Re 1. Tushar plays Naseer’s shy brother by profession a writer but most of the time either in awe of his brother or in awe of Silk. The last but the main Emran Hashmi who never gets his role clear but for a change doesn’t play the Dirty character.

The story revolves around Silk, these three characters and then again Silk. What makes it confusing is are we supposed to sympathize with her or accept her as a popular item girl. She is initially shown to be a clever, opportunist, who gets ready to drop anything that she wears for a break and subsequent roles. Later she gets affected by stardom and bias in the industry which subsequently leads to her downfall.

I believe Milan got obsessed with Vidya Balan’s first time bold image and decided to capitalize it to the maximum extent possible. In this endeavour, he misses the main story line. There are so many questions which are left to the audience to decipher. Why does Emran Hashmi hate her in the first half and then suddenly starts liking her? Is he a director, critic or an actor? Why does the journalist publicly write against her but keeps applauding and appreciating her in private? Why is Tusshar’s role required in the first place? Is being SILK good or bad? The second half probably is more puzzling than the first. At least in first there is a regular dose of “The Dirty Picture”.

All said above, the movie has its many plus points as well. The first is definitely Vidya. Vidya Balan puts in a towering performance and is clearly the highlight of the movie. She will not just amaze you with her sleazy costumes but will also win you with her acting. She is bold and bindaas. She does justice to both halves. The first one where she is naturally sexy and daring and the second one where she wants to continue with her image despite it not being working out. It is so obvious how much hard work and efforts she would have put in to live the image of SILK. Its only Vidya who could pull off such a role with such command. Any other actress, and there are chances the movie would have looked sleazy even bordering on soft porn. The movie will definitely hand over Vidya Balan the best actor award.

The make up man has also done a superb job in the second half including making her look overweight and then trying to conceal her fat.

All three male actors have put in a good job despite a lack of connect built into their roles.

The dialogues are another highlight. Despite being double meaning at many places, the dialogues have been written with so much power. This is in continuation with Once upon a time in Mumbai. Some of the one-liners were razor-sharp and witty at the same time.

Overall, The Dirty Picture is a one-time watch.

A note: Be prepared to whistles and loud roars from college students and others sitting next to you everytime Vidya Balan exposes herself or a double meaning punch is spoken. And I can assure both are there in generous quantities.

Rockstar – An intense musical piece

Going by the title, let me first talk about the music. Frankly speaking, I am not a big fan of AR Rahman. In last few years, there are many of his creations / albums that I didn’t like. The top among the list is his Oscar winning performance “Slumdog Millionnaire”. But I loved the music of Rockstar which I believe is one of his best creation in last few years. The music rocks. It brings the Rock genre back in vogue. Almost all songs are beautiful and touching at the same time. While some songs like “Katia Karun” and “Sadda Haq” are already a hit. I think its just a matter of time when the others pick up. Each song (and there are many) has the caliber to be on the charts.

Music is the soul of Rockstar whether its the background score or the songs. The movie progresses in songs. Each song sketches the emotional turmoil that the characters are going through. Whether it is the maturing of characters or the appreciation of romance, everything happens in songs. Each song has a significance. The biggest hit and the current rock anthem “Sadda Haq” is so intense that you can actually feel it in your nerves. This is a movie that it can easily be classified as a “musical”. The last movie of this kind which I liked was “Rock On”.

Moving back to the movie and its review. The story is simple. It is the story of a simpleton who dreams of being a Rockstar and wants to emulate Jim Morrison. The trouble is its just a dream for him. He is unable to impress anyone. And then one joke by his friend transforms his life. The joke is “Only those people are famous who have suffered tragedies and whose hearts are broken”. It seems a joke at that time but believe me the movie is just this one line.

The story has two contrasting halves. The first half which is entertaining might appeal more to the masses. It is a story that builds the chemistry between the lead characters. It is funny, witty and also prepares you for the emotive second half. However, the only flaws in the movie are in the first half. The editor has taken his job a bit too seriously here. There are scenes which are randomly cut to make it short as the director really wanted to reach the core of the movie which is the second half. The second half is much better. It is a high tension mix of emotional turbulence and commotion.

However, going by the response of people close to me in the theater, I can sense that not many people liked it as compared to the first half.

In the acting department, the movie revolves around Ranbir and Nargis Fakhri. I can safely say that this is Ranbir’s most matured performance. He is no doubt a great actor and has proved his talent time and again but this is a movie that will win him the greatest appreciation and may be many critic awards. He lives and breathes in his character. You could see how a simple Jat transitions slowly into an arrogant and painful character where success has lost its meaning for him. This is Nargis’s debut movie and for a debutant, her performance is commendable. She might not have given her best considering she was up against Ranbir but she has put in a lot of efforts. Needless to say, she is gorgeous in the movie with a very sensual appeal.

All other characters are good. The one worth mentioning is his friend “Kataria”. He has also put in a superb effort. (Sorry don’t know his name). It is also important to put in a word for great Shammi Kapoor. This is his last movie and he looks great in the short cameo appearance.

RockStar is Imtiaz’s 4^th movie. I have liked all his previous ones. In fact the one that I liked least was his biggest hit “Jab We Met”. A close look at all his movies “Socha Na Tha”, “Jab we met”, Love Aaj Kal” reveals that he loves doing unusual love stories. His movies are confined within the boundaries of only two characters. With such short scope and confinements, it is his genius only that can wove stories around it. He has directed the movie beautifully and just focussed on the passionate affair and the sensibilities around it. The movie is not a typical romcom and also doesn’t have a predictable ending. In fact the end is poignant and a bit abstract for the audience to understand.

Summing up, this is not your typical Friday blockbuster which will break opening collections or weekly records. This is not Ready, Bodyguard, Golmal or Ra. One. This is not even Love Aajkal. This is different. Not many people will like it but I am sure a lot will appreciate it.

Ra.One - The movie with good visual effects

If you were in India over the last few weeks, it would have been impossible to miss the high voltage promotion of Ra.One. Be it Hoardings, Brand tie-ups, TV ads, mall promotions, or serial inducts... he has been all over the place. Shahrukh has been promoting it to such an extent that there are jokes on twitter and facebook that he might even pop out of your salad and say “its raw one”.

The movie has generated so much hype that even if the movie was bad, it still would have recovered its cost and more through opening weekend collections which in India is a real long one. But fortunately (and thankfully), the movie is a decent watch.

Ra.One is a story of a geek father who is trying to win over his modern age son. In this effort to be a cool dad, he builds up a game where the villain is more powerful than the hero. Some error happens and the game transitions into the real world with the villain stepping out. To kill Ra.One (the evil guy), G.One (the good guy) is made to step out as well.

The first half of the movie is strong. The build up of the two lead gaming characters (Ra.One and G.One) is really nice. The fusion of real and gaming world and how each level in the gaming world would eventually progress was, I must say, creative. This is the same half where most of the visual effects are also there. Though some of them do resemble Terminator 2.

But the story starts losing out in second half which seems similar to Robot. The biggest problem with it is the genre movie wanted to focus on. Shahrukh being Shahrukh wanted to please everyone. So the movie has bits and pieces of fiction, emotions, drama, romance, comedy, action and more. There are unnecessary songs brought in. Because the leading lady is Kareena and she must be given some screen time, there are scenes stuffed in, which if edited out, will have absolutely no impact to the film. Might have even made the movie slicker and smarter.

The first half lays out the rules of the games and second half is supposed to be the playtime. But somehow the real gaming levels come across as weak. In fact the final gaming level (which in any video game is supposed to be the most challenging) is the weakest part in the movie. The third level where G.One kills Ra.One should have been more powerful and packed with more effects. There are also lot of inconsistencies but I guess such things are pardonable in Bollywood movies.

Coming back to the strengths; the visual effects are a major plus and its obvious lot of money has gone in it. Shahrukh has acted well and his energy at this age is infectious. The character who plays his son is also good (sorry don’t know the kids real name). Arjun Rampal though plays the title role, has a smaller role as most of the times, it’s the visual effect playing Ra.One. But in all scenes, where he appears, he does look menacing. Rajnikanth's cameo was unnecessary and definitely unimpressive. Kareena (as usual) doesn’t have a role except to look pretty and dance in songs like “Chhamak Chhalo”. The music is already a hit. Most songs have been and will be on the charts for some time. I especially like “Dildaara”.

Summing up, the audience in the theatre liked it yesterday. The kids loved it. Most critics might end up giving it 3 stars and more. Overall, the movie is good and I am sure the movie will be a hit. Lastly, the way the story ends, do expect a lot more from G.One. Shahrukh definitely has plans to turn it into a franchisee concept.

Mere Brother Ki Dulhan - Average flick... good in bits and pieces

“Mere Brother Ki Dulhan” or in short MBKD (this abbreviation trend must have started because of Yash Raj and Barjatyas because of their tendency to name films in sentences than words!!).

MBKD is the next from YRF banner. Well the problem is ... these days the production houses have stopped directing their own ventures and instead give a chance to younger directors thus diluting their own image. When was the last we saw a true YRF movie produced and importantly directed by Yash Raj Chopra? Well, I cant recollect... and that’s why this movie also doesn’t meet the class and standards that YRC had set in the past.

The movie is average and feels a half-hearted attempt. There are so many scenes, where you feel that the acting, the direction and the editing is a bit restrained. They just couldn’t make sure to go whole hog with the flow. There are many unwanted scenes and many unnecessary songs that have been put together in haste in order to complete the length of the movie. And man... the movie has length... It feels sooooo long. In fact at one point, I was wondering if I missed the interval.

I don’t need to tell the story because the name sums it up and there is nothing more, nothing less than what the title suggests.

Katrina Kaif was supposed to be projected as funky and sparky. In order to do that, the movie makers added so many scenes which just goes over the top. She also tries to overact in order to step outside her boundaries. On the contrary, Imran Khan is supposed to be the shy, reticent guy and he underacts to play the part. The last is the director himself (Ali Zafar from Tere Bin Laden fame). This is his first commercial Hindi venture. I don’t count “Tere Bin Laden” (which was a classic comedy) because that was a Pakistani movie. Here, he somehow tries to carry the same tone which might have worked in Pakistani comedies but somehow in a full-on Bollywood venture, it sometimes came across as over-acting. But there are scenes, where he outperforms Imran.

There are some good points in the movie as well. The music is already a hit. Songs like “Dhunki” and “Kaisa hai Ishq” are good and will continue to be chart busters. There are also many funny moments which will make you laugh. The unusual pair of Imran and Katrina appeals in many scenes especially because the two characters are so different both on and off screen.

The movie had scope for emotions but the director decided to focus on the comedy part. May be curtailing some over-the-top comical scenes with a bit emotions would have made the movie a full Bollywood drama.

In all, if there is nothing else to do this week, the movie can be watched. In any case, there hasn’t been a good movie since last 3 weeks (Please I still don’t count Bodyguard as a decent flick).

Ready - watch at your own risk

There are comedies, there are loud comedies and then there are “Anees” comedies. With every passing movie, Anees Bazmee tries to outdo himself (or should I say lower himself). “Ready” belongs to this genre. It takes Indian cinemas to the days when double entendres were considered cool. When theatres were not fitted with good quality dolby digital sound systems; hence every actor used to shout at the pitch of his voice so that he could be heard over others. Where comedies meant you keep your brains and minds and intelligence and so on along with the Rs 500 bucks that you just paid at the ticket counter. The brain might get refunded back but with a deduction of a 3hrs interest. Where the following things were considered comical: actors farting, actors peeing in the open to water the dry plants, kids peeing in their pants, kids peeing on the villains (on second thought I think there was a lot of peeing in the film, no wonder the interval says pee break), actors using “choo”, “maa ki”, “kamini” and so on in almost every alternate sentence, dances being choreographed where actors and even little kids are using actions that you might think twice before showing them to your own kids...or actors speaking garbled dialogues. Sample this: Salman speaking to Asin’s aunty and introducing himself "mein kutta hun or yeh meri kuttiya hai..."

Ready is a brainless, illogical, non-sensical comedy.. in short an Anees Bazmee movie. Needless to say it doesn’t have a story.

Having said that, I don’t want to be over critical (you must be wondering what my first para was all about in that case). The movie does have some witty moments. I could hear lots of laughter around me so I assume there are people who liked the movie as well. Salman Khan is “Salman”. Asin looks a bit better in this movie. Other talented actors like Paresh Rawal and Mahesh Manjrekar were totally wasted. The songs are ok. While most of the songs have become popular, I think the best is still “Character Dheela” though howsoever hard she tries, Zareen still looks fat.

The backdrop locations are fabulous especially in song sequences. Overall, watch the movie at your own risk.

Three Cups of Tea - A worthy Read

Post 9/11, the words “War on Terror” and “Weapons of Mass Destruction” have been the most used and abused phrases in modern history. Numerous wars (success or failure depends on which side of the war you were on) have been raged. Countries have been toppled (quite literally and structurally).

"Three Cups of Tea ...One Man's Mission to Promote Peace...One School at a Time" authored by Greg Mortenson with David Oliver’s support is a very interesting book that shows a very different perspective of these wars and how best they can be won. I started reading this book at the same time the book got into controversy. But having read the book, I can safely say even if 50% of the book is true and this man Greg has even built half of the number of schools, medical facilties, vocation centers that he talks about in the book, it is still worth it. He still deserves all the accolades and appreciation for having dedicated his life, his family and his entire youth to this self-less cause.

Coming back to the book, Three Cups of Tea (or as the elongated title suggests), is a book of 1 man’s journey towards bring peace in some of the most hostile and “so-called” terrorist regions in the world be it Northern Pakistan – The Baltistan region or the Afghanistan regions. After his failed attempt to conquer the most dangerous peaks in the world (K2 – karakoram), he finds himself spending a month in Northern Pakistan’s most neglected areas and witnesses the people’s warmth and hospitality. This is where the title makes shape. Basically it is a phrase in that part of Pakistan... The first time you share tea with them, you are a stranger. The second time, you are an honored guest and the third time you share a cup of tea, you become a family.

Having witnessed the need for education, he decides to build a school for Korphe region and therein starts his struggle. This need for 1 school slowly becomes a full time job for him courtesy some generous donations and he opens Central Asia institute dedicated to the humanitarian development of the region.

The book comes across as a selfless account of this man’s journey written in a fashion that can allow more donations to flow through the institute. The basic theory remains the same. The war on terror cannot be won by Bushes and Obamas way of unsolicited and unashamed attacks but to enable people to understand the different between a school and wahhabi madarasas. To move them away from extremism to more modern educational system where they can emrace the world and allow a holistic development.

The book might not come across as a fast read as the writing style is documentary oriented but the message is strong and convincing.

The book also throws some interesting insights for an Indian like me who has always viewed Pakistan with just 1 angle. Reading about the Kargil conflict by someone who was in Pakistan at the same time is such an interesting read for me.

Overall... a good book to read if you are interested in modern history and the birth of terror in today’s times.

Dum Maaro Dum – A dumdaar first half with a feeka second half

I know I am very late in blogging about this one. Considering that the buzz around this movie was quite low initially and it was yet another Abhishek Bachchan’s movie after a series of turkeys last year put this in a low priority for me. But with word of mouth, the movie gained publicity and hence prompted me to watch it last night.

The movie starts with a bang. I loved the way the title and casting appears ... just what you need to set the tempo for a suspense action thriller. By the time the interval happens, I was totally impressed... The movie was shot at such a pace that didn’t even realized when 75 mins had passed. Everything was terrific (in critics language 5 star). The pace of the movie, action sequences, dialogues, performances, the Goan set-up under the dark shady clouds of drugs, the flashback sequences, and the smart direction...everything was packed with style (ekdum dumdar).

With this, the expectations from the second half sky rockets and that’s where I think the movie fails. The first half had covered so much that post interval, there is not much left for the filmmaker to cover. So he tends to drag the movie to ensure the audience gets his due of atleast 2 hrs for the 250 bucks they had spent. The second half tends to linger with Abhishek chasing the villain in long-winded sequences.

Having said that, DMD is still a good movie. As I said, the styling is really good. After Bluffmaster, Rohan Sippy once again comes back with a sharp direction and also uses Abhishek Bachchan to his strengths. The new hero Rana Dugubatti is even better (actually cant say he is new because people say he is a big thing in South). Liked his croaky voice. Prateik didn’t have much to do but plays the small role of Goan lad well. Bipasha just had to look the ultra glam girl and I think she plays it to the core. Aditya Pancholi comes back after a very long time (don’t even remember when was the last I saw him) but he too is brilliant in the “bad mafia lord” character.

All the songs are noteworthy. There already has been lot of buzz about the stunning item cum title song of Deepika. But to me, the best song was “Thain Thain”. With the choreography and rapid movement of story in background, this song tends to grow. The other soft song which is very nice is “Te Amo” with the Goan and Bipasha backdrops.

The camera has played a good role in styling the movie with the entire movie pasteurised in shades of yellow adding to the Goan feel.

Some scenes especially a jail torture scene might be quite uncivilized for Indian standards but I think they form a good part in portraying the tough cop character of Abhishek.

The director wanted to create a suspense thriller. The end does have a suspense but I think somehow it loses its relevance. May be if he would have stuck to the thrill part, the movie might have come out better.

Overall, Dum Maro Dum can be watched. The movie is in its 3rd week so you will need to watch it this week itself as it is unlikely to last one more.