The Dirty Picture – More Dirty than Picture

Since the time the first trailer of TDP went live, there has been an enormous amount of curiosity surrounding this movie. Milan Luthria’s next venture after the very successful and brilliant movie “Once upon a Time in Mumbai” coupled with Vidya Balan’s probably first time bold and sexy avatar was something that I was definitely looking forward to.

As there were so much expectations riding on the movie, the movie disappoints in many ways.

The Dirty Picture probably focuses more on shocking the audience with its bold images and double meaning sentences than the story itself. The story is confusing and convoluted many times. It revolves around a young plain village girl (played by Vidya Balan) who runs to Madras city to become a heroine. She is ready to do “anything” to grab a role. One accidental role and she transforms into SILK (very clearly laid out on SILK Smitha’s character from South India film industry).

There are three male protagonists in the movie. Naseeruddin Shah is playing a typical South Indian actor who can shoot Rs 100 note and break into 100 coins of Re 1. Tushar plays Naseer’s shy brother by profession a writer but most of the time either in awe of his brother or in awe of Silk. The last but the main Emran Hashmi who never gets his role clear but for a change doesn’t play the Dirty character.

The story revolves around Silk, these three characters and then again Silk. What makes it confusing is are we supposed to sympathize with her or accept her as a popular item girl. She is initially shown to be a clever, opportunist, who gets ready to drop anything that she wears for a break and subsequent roles. Later she gets affected by stardom and bias in the industry which subsequently leads to her downfall.

I believe Milan got obsessed with Vidya Balan’s first time bold image and decided to capitalize it to the maximum extent possible. In this endeavour, he misses the main story line. There are so many questions which are left to the audience to decipher. Why does Emran Hashmi hate her in the first half and then suddenly starts liking her? Is he a director, critic or an actor? Why does the journalist publicly write against her but keeps applauding and appreciating her in private? Why is Tusshar’s role required in the first place? Is being SILK good or bad? The second half probably is more puzzling than the first. At least in first there is a regular dose of “The Dirty Picture”.

All said above, the movie has its many plus points as well. The first is definitely Vidya. Vidya Balan puts in a towering performance and is clearly the highlight of the movie. She will not just amaze you with her sleazy costumes but will also win you with her acting. She is bold and bindaas. She does justice to both halves. The first one where she is naturally sexy and daring and the second one where she wants to continue with her image despite it not being working out. It is so obvious how much hard work and efforts she would have put in to live the image of SILK. Its only Vidya who could pull off such a role with such command. Any other actress, and there are chances the movie would have looked sleazy even bordering on soft porn. The movie will definitely hand over Vidya Balan the best actor award.

The make up man has also done a superb job in the second half including making her look overweight and then trying to conceal her fat.

All three male actors have put in a good job despite a lack of connect built into their roles.

The dialogues are another highlight. Despite being double meaning at many places, the dialogues have been written with so much power. This is in continuation with Once upon a time in Mumbai. Some of the one-liners were razor-sharp and witty at the same time.

Overall, The Dirty Picture is a one-time watch.

A note: Be prepared to whistles and loud roars from college students and others sitting next to you everytime Vidya Balan exposes herself or a double meaning punch is spoken. And I can assure both are there in generous quantities.

7 Khoon Maaf - A dark movie

Last week was “Yeh saali Zindagi” – a quirky dark comedy and this week “7 Khoon Maaf”. Seems like “dark” dimensions are the new “in” things in Bollywood.

Honestly, it was quite difficult for me to write this movie’s review. This is a movie which people will either like it or discard it altogether (like the college teens sitting behind me in the theatre and planned to leave in interval).

So I decided to ask myself a few questions:
Did I like the movie myself? “May Be”
Was the movie bad? “Definitely not”
How was the direction? “All I can say is that I have my doubts if someone else could have directed it better. Vishal Bhardwaj has always been a brilliant director. I don’t think there were ever any doubts. Whether it was his first movie Maqbool or the other ones that followed like Omkara, Ishqiya and Kaminey. He has the habit of exploring the dark psyche of his characters and does it beautifully.”
What about Acting? “7 Khoon Maaf is a movie that transitions with the central character of Priyanka Chopra (Susanna) and her transformation from a shy, scared of her husband housewife to a bold, unapologetic elderly female as she moves from 1 murder to another. Once again I am not sure if someone else could have played Susanna better. All actors (Neil Nitin Mukesh, John Abraham, Naseeruddin Shah, Annu Kapoor, Vivaan Shah, Irrfan Khan and the Russian actor) have their own moments in the movie. Priyanka though brilliant is still restrained and doesn’t try to overshadow the others.”

Where I am trying to reach through this self Q&A is that the subject of the movie was complex. It is inspired from a short story by Ruskin Bond “Susanna’s seven husbands”.

With a complicated subject like this and still managing to hold the audience attention as one murder unfolds after another is definitely an achievement and who better than Vishal Bhardwaj? There are some scenes that are top-notch in Indian cinema and that’s where the director’s brilliance comes in.

The movie picks pace in the second half which is much better than the first. Inspite being a dark movie, it still manages some witty moments and also an excellent surprise (Suspense) in the end. I also liked the fact that though so many husbands are murdered but at no point you either feel sympathetic for the wife or express anger and resentment. Somehow, they continue to have a detached feel.

Overall, cant say whether you will like it or not (I am figuring out myself) but you will certainly have an opinion on it. By the way, it certainly might be the critics’ choice for this year with Vishal and Priyanka bagging the honors.

Ishqiya - Review

Ishqiya has all the trademarks of a “Vishal Bhardwaj” movie, yet it’s a big disappointment. Vishal Bhardwaj has built his own genre. Just like his last few movies Kaminey and Omkara, this one too is very raw. Shot in the rural backdrops of Gorakhpur, a Eastern UP town famous for gang wars and mafia, the movie captures the lingo and feel accurately. Like all his previous movies, this one too starts with a bang, moves at a swift pace and builds the tempo and expectations quite high. But where it fails is the end. It ends with a whimper. The entire pace fizzles out in the ending. It appears as if after shooting the movie for 1.5 hrs, the director suddenly forgets the core plot and decides to end it abruptly. It loses the sheen to such an extent that you really feel sorry for a good product turn bad.

The biggest plus going for the movie is the performance of its 3 central characters (Naseer, Arshad and Vidya Balan). There has never been a doubt of Naseer’s performance. He looks apt in both the con part as well as the aged person falling in love with the tantalizing Vidya. Vidya too carries out her role with ease. Though the storyline for her character definitely needed improvement. Through out the movie, she has been shown as some mysterious woman with dark secrets which in the end just doesn’t match up. The best one-liners and witty remarks have been kept in Arshad’s accounts. They are clever, sharp and keep the audience hoping for more. Even some of the other characters like Naseer’s Brother-in-law and the kiddo Nandu engages you.

The dialogues are raw and crude and sometimes border on the edge but that’s something that you now expect out of Vishal’s movie.

The music has been good and has been on the charts for quite some time especially “Ibn e batuta” and “dil to bachcha hai ji”. Apart from the movie songs, the old songs have also been woven very well with the chemistry between the characters.

While the movie has the darkness of Omkara and wittiness of Kaminey, it lacks the punch and edginees that most of Vishal’s movies are famous of. The movie can still be a one-time watch with low expectations.

By the way, I believe this movie might have broken the “longest kissing scene” in Bollywood. It definitely seems longer than the one in ‘Raja Hindustani’ between Aamir and Karishma.