7 Khoon Maaf - A dark movie

Last week was “Yeh saali Zindagi” – a quirky dark comedy and this week “7 Khoon Maaf”. Seems like “dark” dimensions are the new “in” things in Bollywood.

Honestly, it was quite difficult for me to write this movie’s review. This is a movie which people will either like it or discard it altogether (like the college teens sitting behind me in the theatre and planned to leave in interval).

So I decided to ask myself a few questions:
Did I like the movie myself? “May Be”
Was the movie bad? “Definitely not”
How was the direction? “All I can say is that I have my doubts if someone else could have directed it better. Vishal Bhardwaj has always been a brilliant director. I don’t think there were ever any doubts. Whether it was his first movie Maqbool or the other ones that followed like Omkara, Ishqiya and Kaminey. He has the habit of exploring the dark psyche of his characters and does it beautifully.”
What about Acting? “7 Khoon Maaf is a movie that transitions with the central character of Priyanka Chopra (Susanna) and her transformation from a shy, scared of her husband housewife to a bold, unapologetic elderly female as she moves from 1 murder to another. Once again I am not sure if someone else could have played Susanna better. All actors (Neil Nitin Mukesh, John Abraham, Naseeruddin Shah, Annu Kapoor, Vivaan Shah, Irrfan Khan and the Russian actor) have their own moments in the movie. Priyanka though brilliant is still restrained and doesn’t try to overshadow the others.”

Where I am trying to reach through this self Q&A is that the subject of the movie was complex. It is inspired from a short story by Ruskin Bond “Susanna’s seven husbands”.

With a complicated subject like this and still managing to hold the audience attention as one murder unfolds after another is definitely an achievement and who better than Vishal Bhardwaj? There are some scenes that are top-notch in Indian cinema and that’s where the director’s brilliance comes in.

The movie picks pace in the second half which is much better than the first. Inspite being a dark movie, it still manages some witty moments and also an excellent surprise (Suspense) in the end. I also liked the fact that though so many husbands are murdered but at no point you either feel sympathetic for the wife or express anger and resentment. Somehow, they continue to have a detached feel.

Overall, cant say whether you will like it or not (I am figuring out myself) but you will certainly have an opinion on it. By the way, it certainly might be the critics’ choice for this year with Vishal and Priyanka bagging the honors.

Ishqiya - Review

Ishqiya has all the trademarks of a “Vishal Bhardwaj” movie, yet it’s a big disappointment. Vishal Bhardwaj has built his own genre. Just like his last few movies Kaminey and Omkara, this one too is very raw. Shot in the rural backdrops of Gorakhpur, a Eastern UP town famous for gang wars and mafia, the movie captures the lingo and feel accurately. Like all his previous movies, this one too starts with a bang, moves at a swift pace and builds the tempo and expectations quite high. But where it fails is the end. It ends with a whimper. The entire pace fizzles out in the ending. It appears as if after shooting the movie for 1.5 hrs, the director suddenly forgets the core plot and decides to end it abruptly. It loses the sheen to such an extent that you really feel sorry for a good product turn bad.

The biggest plus going for the movie is the performance of its 3 central characters (Naseer, Arshad and Vidya Balan). There has never been a doubt of Naseer’s performance. He looks apt in both the con part as well as the aged person falling in love with the tantalizing Vidya. Vidya too carries out her role with ease. Though the storyline for her character definitely needed improvement. Through out the movie, she has been shown as some mysterious woman with dark secrets which in the end just doesn’t match up. The best one-liners and witty remarks have been kept in Arshad’s accounts. They are clever, sharp and keep the audience hoping for more. Even some of the other characters like Naseer’s Brother-in-law and the kiddo Nandu engages you.

The dialogues are raw and crude and sometimes border on the edge but that’s something that you now expect out of Vishal’s movie.

The music has been good and has been on the charts for quite some time especially “Ibn e batuta” and “dil to bachcha hai ji”. Apart from the movie songs, the old songs have also been woven very well with the chemistry between the characters.

While the movie has the darkness of Omkara and wittiness of Kaminey, it lacks the punch and edginees that most of Vishal’s movies are famous of. The movie can still be a one-time watch with low expectations.

By the way, I believe this movie might have broken the “longest kissing scene” in Bollywood. It definitely seems longer than the one in ‘Raja Hindustani’ between Aamir and Karishma.