Wednesday, April 17, 2013
Why we do not have an option but to vote for BJP this time
Sunday, April 14, 2013
Winning formula and the bhed chal in Bollywood
With the success of ‘Wanted’ in 2009, it seemed Salman Khan found a hit formula. His immediately family went on to encash the formula by putting in a systematic round robin policy. One member after another got in the queue and started producing movies with amazing pace and similarity. So we had ‘Dabanng’ in 2010 by Arbaaz Khan, ‘Ready’ in 2011 by Sohail Khan, ‘Bodyguard’ in 2011 by Alvira Khan. Arbaaz Khan’s turn came back in 2012 with the sequel of ‘Dabangg’ as ‘Dabangg 2’. Sohail Khan is now making ‘Mental’ for next year and last I heard Atul Agnihotri (Alvira’s husband and Salman’s brother in law) is working on his next film with Salman titled ‘O Teri’. The strength of the formula can be judged simply by the fact that none of these producers had produced a hit film before.
Well Bollywood as we have known has had a “bhed chaal”. They are always in the lookout of one such winning formula. And then all they have to do is create carbon copies. Not to be left behind, other actors quickly got in the line. So we had Ajay Devgn with ‘Singham’, ‘Son of Sardar’ and the latest ‘Himmatwala’, while the original Khiladi Kumar came back from his earlier series of disasters with ‘Rowdy Rathore’ and uniquely and very innovatively titled ‘Khiladi 786’.
After all they were the original action heroes before Mr. Dabangg Khan took their position away.
The Producers and directors put together an assembly line production.
All movies were openly (and at least this time honestly) inspired by the south Indian movie industry. Needless to say in such assembly line scenarios, the story is the least important part. Mr. Javed and Mr. Gulzar can keep fighting for their royalty rights at the Film Writers Association but who needs a script these days to make money.
At the end of the day aren’t all movies just about good vs evil and in the end the good one triumphs. The importance in this assembly line was to have a strong and vicious evil guy (or a group of them depending upon the budget of producer) and to match the capability of the evilness, create a hero so powerful who with his breath can blow them away. The hero here need not be the all goody goody but just one level better than the evil one. So in the spare time, when he is not kicking or creating holes in the evil guys, he is freely allowed to eve-tease, take bribe, slap his brother or father, and so on.
He obviously is a merry guy and needs to sing and dance. The dance is inspired by day to day activities. So if the buckle of your belt doesn’t fit and you have to adjust it up and down, it can become a classical dance step. If you have itch down there and an itch guard has not been effective, we can still hide it away by declaring it another dance step. An item number was must which can then be sponsored by the likes of Zandus or the Fevicols. After all, Bollywood is an equal opportunity employer and hence an opportunity must be given to other “actresses” in bollywood, sometimes to members of our own family (read Malaika Arora Khan). In all this jamboree, the real actress need not have any role except flutter her eyelashes and be saved by the superhero. Well if you are paid well, I guess the roles can always take a back seat. No wonder we had usually the likes of Sonakshi and Asin as actress in most of these movies, who otherwise might not have even got an item number.
A side kick was irrelevant because we have the all encompassing hero who can fill that gap as well. The dialogues were a mix of one-liners with little relevance in the movie but to be remembered by the audience after they leave the theatre and use it in their colleges or in their next round of eve teasing. So we had some good ones like “Mujh par ek ehsan karna ki mujh par koi ehsan na karna” or “Zindagi mein teen cheez kabhi underestimate mat karna. I, ME & Myself” and some not so good ones like “mein kutta hun or yeh meri kuttiya hai..."
The stunts were so strong and realistic that the likes of Einstein and Newtons might be turning up in their graves wondering about the 2.0 version of their laws on Relativity and gravity. Even our own Rajnikanth was in real danger of his throne of “The Superpower and Almighty” being snatched away. The punch had power which was inspired by Sunny Deol’s “dhai kilo ka haath” and Complan energy drinks (I am still wondering why none of the energy drinks have filed a RTI to know the strength behind such heros). With heros like these, who needs movies like Superman, Spiderman and Batman.
Well the good news is or at least was that all these assembly line movies went on to become major blockbusters, the new so – called “100 crore club”. Well there are so many "zeroes" in this club, who wouldn’t get excited?
Usually such formula movies last till the first flop and hopefully this bhed chaal will break now that we have one flop in Mr. Know It All Sajid Khan’s Himmatwala.
By the way the very fact that this trend lasted for 4 years with so many block busters speaks volumes about the expectation of audience these days from our movies.
Wednesday, April 3, 2013
1 day in Trier – the oldest city in Germany dating back to the Roman era
Tuesday, January 8, 2013
3 days in Salzburg
Tuesday, December 27, 2011
Don 2 - A big disappointment
The trailer of Don2 was one of the most promising trailers we have seen in recent times. It was slick and stylish. But unfortunately the movie is not even 50% of what the trailer promised.
I was not a huge fan of Don 1 but there were lot of things in the previous version that had impressed me including the direction, performances and overall styling. Overall the movie was decent and worth once a watch.
However, not much can be said about Don 2.
First, the movie lacks a story line. A famous gangster like Don has been brought down to a simple conman who wants to commit one of the biggest bank robberies in Europe. Movies on bank robberies have been created so many times that I wonder if there will be a new and original idea to rob a bank this time. And Alas there was nothing new. In fact the robbery shown in Don 2 is pale in comparison to many others seen even in Hindi movies earlier. It lacks credibility. Its a band of crooks stealing with guns, grenades and hostages. Lot of technicalities discussed but nothing used in execution.
It’s also a wonder that such a dreaded gangster will have such poor skilled enemies. That they can hope to kill him with a local hitman.
The story and direction has so many flaws that you really wonder this is the same director who gave us Dil Chahta Hai, Lakshya and even Don 1 (Guess Farhan didn’t have to worry about story in Don 1 as it was a remake with a simple twist in the end).
Coming to performances: Shahrukh Khan though acted well looks similar to so many of his previous performances. He has his trademark smirk through out the movie which I believe he should now patent it. The smirk and the laugh was considered overacting in the past but I think now its part of his persona.
Boman Irani and Om Puri such acting stalwarts reduced to paupers is a major disappointment. Priyanka Chopra has so much potential to be a true “Junglee billi” but the director decided to tame her to be a domestic cat. Its beyond me that a girl can still love someone who was responsible for killing her brother and had deceived her so many times. The romantic plot was poor and absolutely unnecessary. It makes her character extremely weak. Lara Dutta has no role whatsoever. You can take her out and nothing will change.
All the rest have been intentionally chosen as weak characters to make Don look strong.
There are hardly any songs to talk about. The background score is a continuation of Don 1 and hence mixes well with the scenes. Some of the dialogues are very good but the issue is you have heard almost all of them in the trailers in the previous few weeks that the novelty factor is totally lost. The only plus point was the stylised locations and the cinematography. The starting scene in Thailand has been shot very well.
Overall, I will rate the movie between 2 and 2.5 stars depending upon how much expectation you go with. Unfortunately, for me this was one of the most anticipated movies of this year and disappointingly falls flat.
A note: If the price for 3D is substantially higher than 2D version, you can safely opt for 2D as there are not many 3D effects in the movie.
Saturday, December 3, 2011
The Dirty Picture – More Dirty than Picture
Since the time the first trailer of TDP went live, there has been an enormous amount of curiosity surrounding this movie. Milan Luthria’s next venture after the very successful and brilliant movie “Once upon a Time in Mumbai” coupled with Vidya Balan’s probably first time bold and sexy avatar was something that I was definitely looking forward to.
As there were so much expectations riding on the movie, the movie disappoints in many ways.
The Dirty Picture probably focuses more on shocking the audience with its bold images and double meaning sentences than the story itself. The story is confusing and convoluted many times. It revolves around a young plain village girl (played by Vidya Balan) who runs to Madras city to become a heroine. She is ready to do “anything” to grab a role. One accidental role and she transforms into SILK (very clearly laid out on SILK Smitha’s character from South India film industry).
There are three male protagonists in the movie. Naseeruddin Shah is playing a typical South Indian actor who can shoot Rs 100 note and break into 100 coins of Re 1. Tushar plays Naseer’s shy brother by profession a writer but most of the time either in awe of his brother or in awe of Silk. The last but the main Emran Hashmi who never gets his role clear but for a change doesn’t play the Dirty character.
The story revolves around Silk, these three characters and then again Silk. What makes it confusing is are we supposed to sympathize with her or accept her as a popular item girl. She is initially shown to be a clever, opportunist, who gets ready to drop anything that she wears for a break and subsequent roles. Later she gets affected by stardom and bias in the industry which subsequently leads to her downfall.
I believe Milan got obsessed with Vidya Balan’s first time bold image and decided to capitalize it to the maximum extent possible. In this endeavour, he misses the main story line. There are so many questions which are left to the audience to decipher. Why does Emran Hashmi hate her in the first half and then suddenly starts liking her? Is he a director, critic or an actor? Why does the journalist publicly write against her but keeps applauding and appreciating her in private? Why is Tusshar’s role required in the first place? Is being SILK good or bad? The second half probably is more puzzling than the first. At least in first there is a regular dose of “The Dirty Picture”.
All said above, the movie has its many plus points as well. The first is definitely Vidya. Vidya Balan puts in a towering performance and is clearly the highlight of the movie. She will not just amaze you with her sleazy costumes but will also win you with her acting. She is bold and bindaas. She does justice to both halves. The first one where she is naturally sexy and daring and the second one where she wants to continue with her image despite it not being working out. It is so obvious how much hard work and efforts she would have put in to live the image of SILK. Its only Vidya who could pull off such a role with such command. Any other actress, and there are chances the movie would have looked sleazy even bordering on soft porn. The movie will definitely hand over Vidya Balan the best actor award.
The make up man has also done a superb job in the second half including making her look overweight and then trying to conceal her fat.
All three male actors have put in a good job despite a lack of connect built into their roles.
The dialogues are another highlight. Despite being double meaning at many places, the dialogues have been written with so much power. This is in continuation with Once upon a time in Mumbai. Some of the one-liners were razor-sharp and witty at the same time.
Overall, The Dirty Picture is a one-time watch.
A note: Be prepared to whistles and loud roars from college students and others sitting next to you everytime Vidya Balan exposes herself or a double meaning punch is spoken. And I can assure both are there in generous quantities.
Friday, November 11, 2011
Rockstar – An intense musical piece
Going by the title, let me first talk about the music. Frankly speaking, I am not a big fan of AR Rahman. In last few years, there are many of his creations / albums that I didn’t like. The top among the list is his Oscar winning performance “Slumdog Millionnaire”. But I loved the music of Rockstar which I believe is one of his best creation in last few years. The music rocks. It brings the Rock genre back in vogue. Almost all songs are beautiful and touching at the same time. While some songs like “Katia Karun” and “Sadda Haq” are already a hit. I think its just a matter of time when the others pick up. Each song (and there are many) has the caliber to be on the charts.
Music is the soul of Rockstar whether its the background score or the songs. The movie progresses in songs. Each song sketches the emotional turmoil that the characters are going through. Whether it is the maturing of characters or the appreciation of romance, everything happens in songs. Each song has a significance. The biggest hit and the current rock anthem “Sadda Haq” is so intense that you can actually feel it in your nerves. This is a movie that it can easily be classified as a “musical”. The last movie of this kind which I liked was “Rock On”.
Moving back to the movie and its review. The story is simple. It is the story of a simpleton who dreams of being a Rockstar and wants to emulate Jim Morrison. The trouble is its just a dream for him. He is unable to impress anyone. And then one joke by his friend transforms his life. The joke is “Only those people are famous who have suffered tragedies and whose hearts are broken”. It seems a joke at that time but believe me the movie is just this one line.
The story has two contrasting halves. The first half which is entertaining might appeal more to the masses. It is a story that builds the chemistry between the lead characters. It is funny, witty and also prepares you for the emotive second half. However, the only flaws in the movie are in the first half. The editor has taken his job a bit too seriously here. There are scenes which are randomly cut to make it short as the director really wanted to reach the core of the movie which is the second half. The second half is much better. It is a high tension mix of emotional turbulence and commotion.
However, going by the response of people close to me in the theater, I can sense that not many people liked it as compared to the first half.
In the acting department, the movie revolves around Ranbir and Nargis Fakhri. I can safely say that this is Ranbir’s most matured performance. He is no doubt a great actor and has proved his talent time and again but this is a movie that will win him the greatest appreciation and may be many critic awards. He lives and breathes in his character. You could see how a simple Jat transitions slowly into an arrogant and painful character where success has lost its meaning for him. This is Nargis’s debut movie and for a debutant, her performance is commendable. She might not have given her best considering she was up against Ranbir but she has put in a lot of efforts. Needless to say, she is gorgeous in the movie with a very sensual appeal.
All other characters are good. The one worth mentioning is his friend “Kataria”. He has also put in a superb effort. (Sorry don’t know his name). It is also important to put in a word for great Shammi Kapoor. This is his last movie and he looks great in the short cameo appearance.
RockStar is Imtiaz’s 4th movie. I have liked all his previous ones. In fact the one that I liked least was his biggest hit “Jab We Met”. A close look at all his movies “Socha Na Tha”, “Jab we met”, Love Aaj Kal” reveals that he loves doing unusual love stories. His movies are confined within the boundaries of only two characters. With such short scope and confinements, it is his genius only that can wove stories around it. He has directed the movie beautifully and just focussed on the passionate affair and the sensibilities around it. The movie is not a typical romcom and also doesn’t have a predictable ending. In fact the end is poignant and a bit abstract for the audience to understand.
Summing up, this is not your typical Friday blockbuster which will break opening collections or weekly records. This is not Ready, Bodyguard, Golmal or Ra. One. This is not even Love Aajkal. This is different. Not many people will like it but I am sure a lot will appreciate it.